• LPC
  • Covers
  • Et al.

Lauren Peters-Collaer

Graphic Designer

  • LPC
  • Covers
  • Et al.

The New York Times Magazine

Why Can’t We Stop Unauthorized Immigration? Because It Works.
AD: Claudia Rubín

The New Yorker

Ghost, Writer
AD: Alexandra Zsigmond

The New Yorker

Poor Houdini
AD: Alexandra Zsigmond

The New York Times

Should We Change Species to Save Them?
AD: Annie Jen and Claudia Rubín

The New York Times

What Happens When an Artist Loses His Sight
AD: Damien Saatdjian

The New York Times Magazine

The One Thing That Can Save Cinema From C.G.I. Oblivion
AD: Rachel Willey

The New Yorker

You First
AD: Nicholas Blechman

The Atlantic

The Bold Compassion of “Dear Dickhead”
AD: Akshita Chandra

The New York Review of Books

Social Progress & the Courts
AD: Leanne Shapton

The New York Times

When Being Thin Rules Your Life
AD: Matt Dorfman

The New York Times

The Vexing Problem of the ‘Medium Friend’
AD: Annie Jen

The New Yorker

The Mysterious Disappearance of a Revolutionary Mathematician
AD: Alexandra Zsigmond

Play with a Full Deck: 52 Idioms

Tasked with creating a purely typographic deck of cards and noticing the existence of many idioms utilizing the numbers and faces of a deck, I chose to combine the two. Play with a Full Deck, is a full deck of idioms.

The New York Times

The Georgists Are Out There, and They Want to Tax Your Land
AD: Claudia Rubín and Minh Uong

The New York Times

The Root Cause of Violent Crime Is Not What We Think It Is
AD: Shoshana Schultz

The New York Times Magazine

They Could Decide the 2024 Election. If They Vote.
AD: Claudia Rubín

Chamber Music America

Cover and interior design for a series of publications for Chamber Music America's 40th Anniversary Conference.

Sheriff & the Deputy Album

Custom type and packaging design for the incomparable Sheriff & the Deputy

The New York Times

Elizabeth Warren: Democrats Can Avoid Disaster in November
AD: Frank Augugliaro

The New Yorker

The Democrats’ Midterm Challenge
AD: Nicholas Blechman

The New Yorker

A, S, D, F
AD: Nicholas Blechman

Rockaway ConneX

Rockaway ConneX is a digital platform designed to connect the visitors and inhabitants of Rockaway with desired information, goods and services of the peninsula.

It was important to the creators of this product that ConneX be spelled with an “X” to allude to the crossroads, connecting functionality of their platform.

This ultimately inspired the concept for the logo, as two arrows intersecting to create the X further visualizes its intended meaning, as well as the fundamental purpose of the platform.

Both the arrows and the X then became central elements of the larger identity, often being combined with images and illustrations of the physical things this platform connects users to: food, fun, activities, beach needs, and other people.

The New York Times

Were These the Fingerprints of a Terrorist?
AD: Frank Augugliaro

Skillman Cinema Club

Postcards announcing Skillman Cinema Club's weekly film screenings. The central graphic and corresponding text are clues to that week's film.

Oxford Art Online

Concept for a piece to be mailed to galleries and museums, marketing Oxford Art Online — the most in depth and authoritative resource on Art  and Art History.

Designed at Filtro Design. Art Direction by Eduardo Nemeth.

The New York Times

What Are the Vaccine Roadblocks Where You Live?
AD: Nicholas Konrad

The New Yorker

With Father-and-Son Writers, Who Gets to Tell the Family Story?
AD: Alexandra Zsigmond

Country City Productions

Nashville may be "Music City," but New York’s uniquely vibrant Country, Bluegrass, and Americana scene has led this production company to deem NYC, “Country City.”

Country City Productions’ identity centers around a fusion of Country [Music] and [New York] City visuals.

Lemons

The New York Times

Misusing Words Like ‘Groomer’ Isn’t Just Wrong. It’s Dangerous
AD: Shoshana Schultz

When math goes wrong in the real world

Craft Beer Festival

Concept for a poster series for New York City's Craft Beer Festival, Fall 2015. The festival features seasonal beers, ciders, and meads so each poster speaks to the process of creating one of these beverages.

The New York Times Magazine

— view —

Valdes_Vertical2.jpg

The New Yorker

— view —

nyer.jpg

The New Yorker

— view —

S2.jpg

The New York Times

— view —

GeneticRescue.jpg

The New York Times

— view —

Rosenblatt_300dpi_RGB.jpg

The New York Times Magazine

— view —

ScreenlandHeader.jpg

The New Yorker

— view —

IMG_1437square_curveswebsite.jpg

The Atlantic

— view —

atlan3.jpg

The New York Review of Books

— view —

lpc.jpg

The New York Times

— view —

IMG_4228.jpg

The New York Times

— view —

LaurenPetersCollaer.jpg

The New Yorker

— view —

The+New+Yorker—Lauren+Peters-Collaer.jpeg

Play with a Full Deck: 52 Idioms

— view —

Play+with+a+Full+Deck-+52+Idioms_tall.jpg

The New York Times

— view —

Georgism.jpg

The New York Times

— view —

Lauren Peters-Collaer—The New York Times.jpg

The New York Times Magazine

— view —

NYTMag.jpg

Chamber Music America

— view —

CMAheader5cropped copy.jpg

Sheriff & the Deputy Album

— view —

SDHeader.jpg

The New York Times

— view —

The New York Times—Lauren Peters-Collaer.JPG

The New Yorker

— view —

The New Yorker—Lauren Peters-Collaer.jpg

The New Yorker

— view —

ASDF.jpg

Rockaway ConneX

— view —

Tote2.jpg

The New York Times

— view —

The New York Times—Lauren Peters-Collaer.jpg

Skillman Cinema Club

— view —

Cinema Cards.png

Oxford Art Online

— view —

oao-thumbnail2.jpg

The New York Times

— view —

Times2.jpg

The New Yorker

— view —

The+New+Yorker.jpeg

Country City Productions

— view —

Lauren Peters-Collaer.jpg

Lemons

— view —

x1.jpeg

The New York Times

— view —

Lauren+Peters-Collaer (1).jpeg

When math goes wrong in the real world

— view —

x4.jpeg

Craft Beer Festival

— view —

craft beer festival.jpg

© 2024 Lauren Peters-Collaer